All strumming patterns don’t have to be confined to just one measure. Be sure to watch the video for the correct timing. This is combination of muting with a bit fancier strum. This is a variation of the previous pattern where you mute the strings on the count of 2, 3, and 4. It takes a bit of practice to get it smoothly. When you’re playing chords that use most or all of the strings you can mute the strings by just releasing the pressure on the chord being held with your left hand. In this example, since you’re playing an open C chord you’ll need to mute the strings with your right hand as you strum downward on the counts of 2 and 4. In Patterns 10, 11, and 12 you should try muting the strings where it is called for. Pattern #9 - Here’s one more variation of Pattern #7. Pattern #8 - This is just a simple variation of Pattern #7, adding an up-strum on the last beat. Be sure to strum in the direction noted below the tablature and and watch the video to hear how it should sound. With this strum you don’t play on the count of 3, so the timing can be a little tricky. Try putting the one quarter note strum at different beats in the measure. You can also play 3 sets of eighth note strums along with a quarter note strum. You can get a different sound by placing the down-up eighth note strums in measure 4 in one of the other measures instead. This simple pattern shows how easily you can add an interesting strum by adding just one set of eighth note strums to three standard quarter note strums. This strum puts emphasis on the first and third notes of each measure and is much like a country alternating bass pattern played on guitar. Many times it sounds better on that first beat to just hit the top couple strings. It’s not necessary to always strum across all of the strings. This adds emphasis to the first beat in each measure. Notice what a difference it makes in the sound from Pattern #2 by replacing the first beat with a quarter note strum. Matter of leaving certain parts out rather than strumming on every beat (and off-beat) that will make your strumming interesting. Pay special attention to this strum because all of the strums following this are based on it. Think of the beats (1,2,3,4) as downbeats (strumming downward) and the &’s following the beats as upbeats (strumming upward). It’s important to note that with all of these strums you strum downward on each beat then strum upward on the “&” (and). However, now each quarter note beat will be broken up into two eighth notes, giving you 8 strums in each measure, 4 down and 4 up. With this pattern you still strum downward “on the beat” - that is, on the count of 1, 2, 3, and 4 - just as in Pattern #1. You can try different ways and find what suits you the best. I mostly strum downward using the back of my index and middle fingers. You can strum downward on each beat with your thumb, you can use a felt pick, or you can strum downward with the back of one or two fingers. Remember that in 4/4 time there are 4 beats in each measure. The first pattern is about as basic as it gets. If you need to learn how to read tablature be sure to read the tutorial on “ How to Read Ukulele Tablature” before beginning. Those who read music and tablature for those who don’t. After a while you’ll be strumming away, not really thinkingĪbout playing a particular pattern but just letting your fingers play what feels right at the time.Īll of the strums in the examples below just use a standard C chord. Patterns work best for you, and it’s up to you to decide which fit in the best with certain songs. Try the different patterns with different songs and see how they sound. Here are some strumming patterns for the ukulele.
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